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Four men with arms around each other in a recording studio.

Salt and the Choppers is a Canadian pop/rock band of four songwriter/musicians from eastern Canada. Their music is a unique synthesis of diverse classic era pop, rock, and jazz influences such as Steely Dan, The Band, Jimi Hendrix, and of course The Beatles. Emanating from four separate writers, their diverse catalogue includes everything from energetic raw rock, through infectious pop, to dreamy, distilled poetic gems. The unique blend of these four multi-instrumentalists is characterized by lush layered harmonies and a signature instrumental style that sticks to your ribs.

Meeting in New Brunswick, Canada at Saint John High School in the late 1960s, Michael Maxwell, James Malcolm, David Round, and Robert Morgan (left to right above) were drawn together by the desire to create, perform and record nothing but original music: No covers allowed! Under the unlikely moniker Salt and the Choppers, this resulted in an impressive 25 original works being preserved in recordings from live performances.

Although after high school they pursued separate musical careers in the Canadian music industry, the magic spark that had been ignited never faded away. After a just-for-fun reunion recording session of old songs in January 1981, that spark caught fire again and with a vengeance. Over the next five years they scheduled as many recording sessions as living in separate cities would allow, resulting in a total of 31 completed recordings from studios big and small from Saint John to Toronto.


The members of Salt and the Choppers are currently located in Saint John, Toronto, and Montreal. In 2019, just before the pandemic hit, they were back at writing and recording again and now, beginning in 2022, Salt and the Choppers are finally releasing the best of those sessions through all the major music streaming services. Please stay tuned  for their impending debut EP with more singles, EPs and albums to come.

According to Salt



Salt and the Choppers' earliest beginnings occurred rather innocently at St. James Anglican Church on a Saturday night in April of 1964. Michael Bruce Maxwell, topped off with a stunning black Beatle wig didn’t realize at the time that he had actual real Beatle equivalent hair growing out of his actual head, no need for the wig. But, peering through the fake hair like a Clint Regan floozy, he spotted an extraordinarily handsome young drummer, sans wig, vying for the same prize (oh yeah, they’re at a parish talent show, sorry)…and man, was he ever good! Maxwell was only twelve when he first met David Arthur Round that night, but he can still remember to this day thinking, ”man, this guy could use a good Beatle wig…” . They didn’t see each other again until late 1967 when they started to attend the same high school.

James Ballem Malcolm was already a successful drummer through the mid 60’s, playing with the highly successful rock and roll band The Wild Set. He played drums in numerous well-received groups that followed, all with darn good names (our favourite being The Ruptured Duck Repair Service), right up until he formed the Choppers with Maxwell and Round. Jim had very nice, curly hair, used a scarf very effectively and is highly respected for his solid musicianship and his impressive depth as a songwriter, lyricist, keyboardist, drummer and singer.

Robert George Morgan, guitarist and best darn guy in the phone book, was the final piece to join the puzzle. Jim, Dave and Mike had heard of this neighbourhood kid who was copping Hendrix licks note for note on his parents couch down the street from Dave. "We need something like that" they thought, so they sprung the question to Bob one day in the high school bathroom. The Choppers needed a strongly unique and distinctively identifiable style (they didn’t actually know that at the time) and through time Robert has put his indelible sonic stamp on it all.

"I cannot believe that after all this I forgot to mention that Bob Morgan has a superior Beatle haircut, I already mentioned Maxwell’s…"  - Salt

The Early Years


The Early Years

Early on, or let’s face it, from the beginning the boys decided that any and all material would be original. Made up, composed, written or whatever, it would all be original.


The Choppers Always Recorded Stuff - Jim bought the first Chopper reel to reel from Chase Camera Supply on Union Street. The first Chopper “sessions” would have occurred at Robert’s parents’ house and everything blossomed from there. There were recordings of dances and coffee houses packed with young hippies actually listening to this original-playing band of fledgling quasi-composers and, get this…applauding.

Man standing and playing an electric guitar beside a man sitting playing a grand piano.
Three men by window.
Two men sitting amongst drums and guitar amps.
Four young men performing in school gymnasium.


The Middle Years
The Middle Years
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After almost a decade hiatus, the four members reconvened in Bob’s parents’ house to begin recording ...again!

Four men relaxing around drums and keyboard.
Three musicians with headphoes recording guitars.
Three vocalists recording in studio.
Guitarist rehearsing in recording studio.
Guitarist tuning guitar in recording studio.

Eventually, due to varying choices in post secondary education options, the Choppers disbanded. Mike prides himself on being a founding member of The Snids; and, after the inaugural version of The Choppers, he was a key part of the eclectic ensembles The Sweetbeats and Rustic Charm. Later he established himself securely in the Toronto music business as a composer/arranger and producer for television and film, while Jim continued on as a highly-regarded musician and songwriter (Sam Moon and the Universal Power), growing his Beatle haircut back and taking up swimming. Bob went on to a design and art career but never gave up his night job playing in well known regional bands (Port City Five, Donnie and the Monarchs). Dave continued on a musical path, also playing in well known regional bands (Cadillac, Donnie and the Monarchs) complete with a big moustache and a matching fur collar.


After almost a decade hiatus, the four members reconvened in Bob’s parents’ house to begin recording ...again! After about six older original songs were chosen to record, there was renewed excitement to continue composing new material and to try to make getting together an ongoing reality. From 1981 ~ 1986, Salt and The Choppers wrote, rehearsed and recorded at least six to eight full-blown sessions, culminating 31 finished original songs and a 45 RPM single being released on Gary Chase’s Epcom Records.

The Later Years


The Later Years
Three older musicians with headphones and mic.

Although they may not (still ?) be teen heart throbs, Salt and the Choppers still have what it takes to write great songs and produce great recordings. Some of the recent songs they have put together are amongst their strongest to date. The modern music industry, which has made it possible to publish and distribute their own material, has breathed new life into their joint passion. They are loving every minute of this adventure and hope to be churning out tunes for years to come.

Thank You

Thank You

With a Little Help From Their Friends
Man with coffee smiling.

Gary Furniss

Recording engineer at console.

Rod Phelan

Man adjusting a tape recorder.

Gary Chase

Recording engineer at console in recording studio.

Rick Knight

Recording engineer in recording studio.

Todd Clark

"So, recording new material continued in the years and decades that followed our very early efforts, with different venues, producers, engineers and numerous guest participants all of whom continue as close friends and associates of our core membership and to whom we owe huge thanks for the precious input and advice we have been blessed to receive from all.


No one helped us more than Gary Chase and Todd Clark. Gary was our engineer commencing our “Middle Years” sessions in New Brunswick. Through his studio, Epcom, he churned out our first “new” session material. Gary took us on as a good project to launch his new studio which was based in his home. I am not sure if he expected us to be practically living there for weeks at a time but his enthusiasm and humour was a match for ours and it was a magical experience for all of us. Besides his skill and musicianship behind the mixing board, his co-production efforts and advice were invaluable to our successful recordings! And, he continued sharing his expertise with us until 1986.


Todd loaned us all his equipment, synthesizers, sound mixers, microphones, drove us to Toronto for sessions in a van packed with musical gear, advised on musical content, criticized and critiqued our moves…a perfect example of one musician selflessly providing exceptional physical and invaluable technical assistance, when his mother would allow. 


Nor can we forget the immense contribution of resources, time and spirit from Rick Knight of The Grange Studio; first-rate engineer!


We also wish to extend our gratitude to the following people who made contributions, big and small, and made our journey delightful and possible:  Gary Furniss, Rod Phelan, Joe Guss, Richard Davis, Terry Emery, Chris Chase, Ron Keith, Rod Stears, and so many others!"

- Salt and the Choppers

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